Mona Lisa Ali
Ali, Mona Lisa. steady echo, 2017. 2018 Individual Artist Fellow, Oregon Arts Commission. Originally published February, 2018 “I attempt to reconcile the notion of belonging […]
Ali, Mona Lisa. steady echo, 2017. 2018 Individual Artist Fellow, Oregon Arts Commission. Originally published February, 2018 “I attempt to reconcile the notion of belonging […]
by Sarah Sentilles How do you represent absence? How do you depict loss? For two decades, Julie Green has been painting the final meals of […]
by Jeanine Jablonski When I first came across images of Natalie Ball’s work, I was floored. Who was this amazing indigenous artist living in Oregon, […]
Perlitz, Jess. Barely There, 2017. 2018 Individual Artist Fellow and Joan Shipley Award recipient, Oregon Arts Commission. Originally published February, 2018 “I am equally interested […]
by Richard Speer To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent of visual artists is […]
By Samantha Wall and Stephen Slappe In the midst of the vast, world-changing events of the past year, we have been reflecting on the nature […]
by Prudence Roberts This is the story of one of Terry Toedtemeier’s most distinctive photographs, its place in his career, and how the image made […]
by Bean Gilsdorf Perlitz’s grounding in sculpture underscores the spirit of these practices, explicating the real and symbolic power of objects and their potential to […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
Jennifer Kabat, “Pattern Recognition: How Ellen Lesperance transmits messages about history, feminism and labour through the art of knitting,” Frieze, August 14, 2017. “When Lesperance was young, […]
Tannaz Farsi, Blink, 2016, LED bulbs, steel, wire, 216 x 3 x 14 inches. Installed at YOU IN MIND, Converge 45, 2017, Disjecta Contemporary Art […]
Tannaz Farsi. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 At PICA’s TBA Festival last year, Tannaz Farsi’s work […]
Jillian Steinhauer, “What to See in New York Art Galleries This Week,” New York Times, September 20, 2018 (Exhibition: Lily of the Art Light, Derek […]
Elizabeth Malaska. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 One can’t study Elizabeth Malaska’s painting without finding […]