Jess Perlitz’s Tragicomic Practice
by Bean Gilsdorf Originally published November 2020 A dejected cloth rainbow, an animate boulder guiding a smaller rock through a city, a series of clownish […]
by Bean Gilsdorf Originally published November 2020 A dejected cloth rainbow, an animate boulder guiding a smaller rock through a city, a series of clownish […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
by Stephanie Gervais Originally published July, 2019 I made Shield in 2014, while living between Rio de Janeiro and São Paulo, Brazil. My friend Yuri […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
by Josephine Zarkovich Originally published May 2019 Recently I have begun to document all the steps I take to perform each task in my […]
by Meagan Atiyeh Originally published March 2020 Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive […]
by Carlin Brown Originally published March, 2019 The entrance to the lumber room’s lower level glows a flush pink. The unexpected color dissipates in the […]