Jess Perlitz’s Tragicomic Practice
by Bean Gilsdorf Originally published November 2020 A dejected cloth rainbow, an animate boulder guiding a smaller rock through a city, a series of clownish […]
Arts Writing
To the Air • Paul Maziar and Cynthia Lahti
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
Shields, Open Wounds, and New Landscapes: An Artist’s Account of Creation
by Stephanie Gervais Originally published July, 2019 I made Shield in 2014, while living between Rio de Janeiro and São Paulo, Brazil. My friend Yuri […]
Tannaz Farsi • Linfield Gallery (2)
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi • Linfield Gallery (1)
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Laurie Danial’s Dynamic and Enigmatic Abstraction
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
Alison Jean Cole’s Way West
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
Arranging the Deck Chairs
by Josephine Zarkovich Originally published May 2019 Recently I have begun to document all the steps I take to perform each task in my […]
Kristan Kennedy: A Corporeal Presence
by Meagan Atiyeh Originally published March 2020 Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive […]
Mira Dancy: “Self Seed” at the lumber room
by Carlin Brown Originally published March, 2019 The entrance to the lumber room’s lower level glows a flush pink. The unexpected color dissipates in the […]