Questioning Success: Reading and Thinking Together
By Bean Gilsdorf William Deresiewicz’s latest book, The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big […]
By Bean Gilsdorf William Deresiewicz’s latest book, The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big […]
When we look back on this time of the pandemic, it may be the confusion that we remember the most. We have been bombarded by […]
by Sarah Sentilles How do you represent absence? How do you depict loss? For two decades, Julie Green has been painting the final meals of […]
by Jeanine Jablonski When I first came across images of Natalie Ball’s work, I was floored. Who was this amazing indigenous artist living in Oregon, […]
by Richard Speer To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent of visual artists is […]
by bart fitzgerald I. Santal 33. Boonk. A libation awaits—whether prepared, or freshly colliding due to the presence of its necessary ingredients—Hennessy and sticky-sweet pineapple […]
by Jovencio De La Paz Between Tank Creek and the hills of Clatskanie, Oregon, just south of the Columbia River, a Zen Buddhist Monastery nestles […]
Editor’s Note: The following essay is composed of three excerpts from an audio diary recorded by Portland- based artist and poet Demian DinéYazhi’ while driving […]
By Samantha Wall and Stephen Slappe In the midst of the vast, world-changing events of the past year, we have been reflecting on the nature […]
By Libby Werbel Is it possible to grow your own museum? What would it look like? How would it be different from the museums you […]
by Abigail Susik I One of the reasons for abstract art’s ascendancy over the last century is surely its simultaneous accommodation of the ego’s conflicting […]
by Prudence Roberts This is the story of one of Terry Toedtemeier’s most distinctive photographs, its place in his career, and how the image made […]
by Bean Gilsdorf Perlitz’s grounding in sculpture underscores the spirit of these practices, explicating the real and symbolic power of objects and their potential to […]
by Meagan Atiyeh Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive or reductive in ink, […]
by Patrick Collier I first saw Kurt Fisk’s Monkey Fish drawings at ArtWorks, a gallery/project space that is part of Collaborative Employment Innovations (CEI), an […]