Greg Archuleta and Lifeways: Cultivating Resilence Through Education
by Steph Littlebird Tucked away just south of the Ross Island Bridge in a nondescript building off Barbur Boulevard is the Confederated Tribes of Grand […]
Oregon ArtsWatch
“Nobody’s Fool” at Carnation Contemporary
by Luiza Lukova Nobody’s Fool, curated by art historian, cultural worker, and writer Ella Ray (she/they), opened at Carnation Contemporary on Saturday, October 23, 2021. […]
“On a scale of more: Emily Counts at Carl & Sloan Contemporary” by Patrick Collier
Counts, Emily. 2016. Basic Diagram; Subvert and Copy. Carl & Sloan Contemporary, Portland, Oregon. “On a scale of more: Emily Counts at Carl & Sloan […]
“Art review: Beyond the horizon: Teresa Christiansen’s new photography show at Melanie Flood Projects takes liberties with the landscape” by Patrick Collier
Christiansen, Teresa. Shadowed Disconnection. Archival pigment print, Plexi. “Art review: Beyond the horizon: Teresa Christiansen’s new photography show at Melanie Flood Projects takes liberties with […]
“Busy Bodies: MK Guth’s ‘This Fable Is Intended for You: A Work Energy Principle: Final’ at Elizabeth Leach Gallery” by Patrick Collier
“Busy Bodies: MK Guth’s ‘This Fable Is Intended for You: A Work Energy Principle: Final’ at Elizabeth Leach Gallery” by Patrick Collier Originally published by […]
“The Best of a Bad Situation: Elizabeth Malaska’s paintings at Nationale use the canon for their own purposes” by Patrick Collier
Malaska, Elizabeth. No Man’s Land. 2016. Oil, flashe, spray paint, pencil on canvas. Courtesy of Nationale. “The Best of a Bad Situation: Elizabeth Malaska’s paintings at […]