To the Air • Paul Maziar and Cynthia Lahti
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
by Stephanie Gervais Originally published July, 2019 I made Shield in 2014, while living between Rio de Janeiro and São Paulo, Brazil. My friend Yuri […]
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
by Josephine Zarkovich Originally published May 2019 Recently I have begun to document all the steps I take to perform each task in my […]
by Meagan Atiyeh Originally published March 2020 Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive […]
by Carlin Brown Originally published March, 2019 The entrance to the lumber room’s lower level glows a flush pink. The unexpected color dissipates in the […]
by Richard Speer Originally published Feb, 2019 To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent […]
by Briana Miller Originally published February, 2019 In 1975, the non-profit Friends of Timberline launched a project to recreate and restore the textiles of Timberline […]
By Karl Davis Originally published January, 2019 Nestled in the foothills of the Blue Mountains in northeast Oregon, Crow’s Shadow Institute of the Arts has […]