Amy Sherlock, “Alice Channer, Jessica Jackson Hutchins & Linder,” Frieze, June-August, 2013.
“There is pathos here, but also humour and warmth, a kind of lived-in intimacy. Jackson Hutchins’s sculptures are less about the physicality of bodies than the points of contact between them – the slight, still-warm impressions that we make when we press against each other, literally or metaphorically….”