Jess Perlitz’s Tragicomic Practice
by Bean Gilsdorf Originally published November 2020 A dejected cloth rainbow, an animate boulder guiding a smaller rock through a city, a series of clownish […]
by Bean Gilsdorf Originally published November 2020 A dejected cloth rainbow, an animate boulder guiding a smaller rock through a city, a series of clownish […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Jennifer Kabat, “Pattern Recognition: How Ellen Lesperance transmits messages about history, feminism and labour through the art of knitting,” Frieze, August 14, 2017. “When Lesperance was young, […]
Tannaz Farsi. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 At PICA’s TBA Festival last year, Tannaz Farsi’s work […]
Jillian Steinhauer, “What to See in New York Art Galleries This Week,” New York Times, September 20, 2018 (Exhibition: Lily of the Art Light, Derek […]
Elizabeth Malaska. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 One can’t study Elizabeth Malaska’s painting without finding […]
Kristan Kennedy, Untitled Arrangement, 2017, exhibited in Tomorrow Tomorrow, curated by Wallace Whitney and Stephanie Snyder, Anne and John Hauberg Curator and Director, Douglas F. Cooley […]
Sue Taylor, “Elizabeth Malaska,” Art in America, April, 2018. (Exhibition Russo Lee Gallery, Portland, Oregon Feb 1 – March 31, 2018) “In the six large […]