Tannaz Farsi • Linfield Gallery (2)
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
by Josephine Zarkovich Originally published May 2019 Recently I have begun to document all the steps I take to perform each task in my very […]
by Meagan Atiyeh Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive or reductive in ink, […]
by Carlin Brown Originally published March, 2019 The entrance to the lumber room’s lower level glows a flush pink. The unexpected color dissipates in the […]
Jennifer Kabat, “Pattern Recognition: How Ellen Lesperance transmits messages about history, feminism and labour through the art of knitting,” Frieze, August 14, 2017. “When Lesperance was young, […]
Tannaz Farsi, Blink, 2016, LED bulbs, steel, wire, 216 x 3 x 14 inches. Installed at YOU IN MIND, Converge 45, 2017, Disjecta Contemporary Art […]
Tannaz Farsi. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 At PICA’s TBA Festival last year, Tannaz Farsi’s work […]
by Richard Speer Originally published Feb, 2019 To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent […]
by Briana Miller Originally published February, 2019 In 1975, the non-profit Friends of Timberline launched a project to recreate and restore the textiles of Timberline […]
Congratulations to the five Oregon artists who have been honored by the Joan Mitchell Foundation with artist grants: Addoley Dzegede, Lisa Jarrett, Elizabeth Malaska, Wendy […]
By Karl Davis Originally published January, 2019 Nestled in the foothills of the Blue Mountains in northeast Oregon, Crow’s Shadow Institute of the Arts has […]
Jillian Steinhauer, “What to See in New York Art Galleries This Week,” New York Times, September 20, 2018 (Exhibition: Lily of the Art Light, Derek […]
By Sam Hopple Originally published May 2018 In Waiting Room, Heather Watkins presents a series of thirty-two, hand-stitched embroideries that line the walls of PDX […]
Elizabeth Malaska. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 One can’t study Elizabeth Malaska’s painting without finding […]
A Social Good by Sue Taylor Originally published April, 2017 The five writers commissioned for the Oregon Visual Arts Ecology Project in 2017 had a […]