Three Used Books by Jon Raymond
Three Used Books by Jon Raymond Originally published April 2018 One of the best garage-sale scores I ever had came in Brooklyn sometime in 2003. […]
Three Used Books by Jon Raymond Originally published April 2018 One of the best garage-sale scores I ever had came in Brooklyn sometime in 2003. […]
by John Motley Originally written April 2017 In a promotional poster for Bay Area–based Club Paint’s second exhibition at Rocksbox Contemporary Fine Art in October […]
Julie Green, Oregon 06 September 1996. 5 fried eggs (Sunnyside-up), hash browns, bacon strips (crisp), stack of pancakes with syrup, hot coffee, milk, and cold […]
Portland Wild Life: The Work of Ryan Pierce by Melanie Flood Originally published April 2017 The ecology of the place we live in helps define […]
Abstract Art as Political Art: Lynne Woods Turner by Sarah Sentilles Originally published August 2017 Lynne Woods Turner’s abstract paintings and drawings trouble certainty. Her […]
Modou Dieng and the Worksound Moment by Mack McFarland Originally published April 2017 What makes an art scene? To start, a group of artists, like-minded […]
Thoughts on a Museum of Wonder by Linda Tesner Originally published April 2017 For the past thirty-six years, I have worked in museums and art […]
A “Working History” at Reed Amy Bernstein Originally published by PORT February 05, 2008 The group show at Reed this month is in honor of […]
The Candor of Cali: Chris Johanson at The Portland Art Museum Amy Bernstein Originally published by PORT February 15, 2007 The latest APEX spotlight […]
Go Go: Green Light Green Light at Small A Projects Amy Bernstein Originally published by PORT December 04, 2006 Small A Projects’ current show, Green […]
Call and Response as Critical Chorus by Amy Bernstein Originally published by PORT September 09, 2009 In a world increasingly fixated upon the propulgation, proliferation, […]
Jessica Jackson Hutchins in her Studio, Portland, 2010 Interview with Jessica Jackson Hutchins Amy Bernstein Originally published by PORT September 24, 2010 Jessica Jackson […]
Detail from European International LTD,Touch and Go, 2010, Cristina Lucas An Evidence of Bricks: An Evidence of Doors, TBA 11 Amy Bernstein Originally published by […]
Animal, Judy Cooke, 2011 Interior Margins: A Question of Language Amy Bernstein Originally published by PORT January 25, 2013 There are just three short days […]
Richard Mosse’s “The Enclave” at PAM Amy Bernstein Originally published by PORT January 21, 2015 In the end, all you have is what is in […]
A Case For Abstraction: No Boundaries Amy Bernstein Originally published by PORT July 30, 2015 Forgive me. In the middle of summer, this review is […]
by Patrick Collier I first saw Kurt Fisk’s Monkey Fish drawings at ArtWorks, a gallery/project space that is part of Collaborative Employment Innovations (CEI), an […]
Kristan Kennedy, PICA’s Visual Arts Curator Interview with Kristan Kennedy Amy Bernstein Originally published by PORT September 5, 2011 Kristan Kennedy is the visual […]