An Invitation to Love: Blair Saxon-Hill’s Shrimp Head Momma
by Amy Bernstein I walk into Blair Saxon Hill’s exhibition, Shrimp Head Momma, to find an invitation placed at myfeet. I am surrounded by an […]
by Amy Bernstein I walk into Blair Saxon Hill’s exhibition, Shrimp Head Momma, to find an invitation placed at myfeet. I am surrounded by an […]
A “Working History” at Reed Amy Bernstein Originally published by PORT February 05, 2008 The group show at Reed this month is in honor of […]
The Candor of Cali: Chris Johanson at The Portland Art Museum Amy Bernstein Originally published by PORT February 15, 2007 The latest APEX spotlight […]
Go Go: Green Light Green Light at Small A Projects Amy Bernstein Originally published by PORT December 04, 2006 Small A Projects’ current show, Green […]
Call and Response as Critical Chorus by Amy Bernstein Originally published by PORT September 09, 2009 In a world increasingly fixated upon the propulgation, proliferation, […]
Jessica Jackson Hutchins in her Studio, Portland, 2010 Interview with Jessica Jackson Hutchins Amy Bernstein Originally published by PORT September 24, 2010 Jessica Jackson […]
Detail from European International LTD,Touch and Go, 2010, Cristina Lucas An Evidence of Bricks: An Evidence of Doors, TBA 11 Amy Bernstein Originally published by […]
Animal, Judy Cooke, 2011 Interior Margins: A Question of Language Amy Bernstein Originally published by PORT January 25, 2013 There are just three short days […]
Richard Mosse’s “The Enclave” at PAM Amy Bernstein Originally published by PORT January 21, 2015 In the end, all you have is what is in […]
A Case For Abstraction: No Boundaries Amy Bernstein Originally published by PORT July 30, 2015 Forgive me. In the middle of summer, this review is […]
Kristan Kennedy, PICA’s Visual Arts Curator Interview with Kristan Kennedy Amy Bernstein Originally published by PORT September 5, 2011 Kristan Kennedy is the visual […]