An Invitation to Love: Blair Saxon-Hill’s Shrimp Head Momma
by Amy Bernstein I walk into Blair Saxon Hill’s exhibition, Shrimp Head Momma, to find an invitation placed at myfeet. I am surrounded by an […]
by Amy Bernstein I walk into Blair Saxon Hill’s exhibition, Shrimp Head Momma, to find an invitation placed at myfeet. I am surrounded by an […]
by Christine Weber In Charged Voids, Avantika Bawa employs the staging and support structures used in theconstruction process to consider what is already constructed in […]
by Alejandro Espinoza Galindo The works of rubén garcía marrufo are an audiovisual fabulation of the awe-inducing instant, gathering phantasmagorical narratives, silences, and rituals which […]
by Prudence Roberts The five paintings in Pat Boas’s recent installation at the Sun Valley Museum of Art are testament to her brilliance as an […]
by Stephanie Snyder Lynne Woods Turner’s works on paper and canvas do not ferry images in any traditional sense; rather, they reveal the odyssey of […]
by Sarah Sentilles How do you represent absence? How do you depict loss? For two decades, Julie Green has been painting the final meals of […]
by Jeanine Jablonski When I first came across images of Natalie Ball’s work, I was floored. Who was this amazing indigenous artist living in Oregon, […]
Editor’s Note: The following essay is composed of three excerpts from an audio diary recorded by Portland- based artist and poet Demian DinéYazhi’ while driving […]
By Samantha Wall and Stephen Slappe In the midst of the vast, world-changing events of the past year, we have been reflecting on the nature […]
by Abigail Susik I One of the reasons for abstract art’s ascendancy over the last century is surely its simultaneous accommodation of the ego’s conflicting […]
by Bean Gilsdorf Perlitz’s grounding in sculpture underscores the spirit of these practices, explicating the real and symbolic power of objects and their potential to […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Tannaz Farsi, “The Points of Departure,” Installation View, Linfield Gallery, McMinnville, Oregon, March 22 – April 29, 2017. Curated by Josephine Zarkovich. The Points of […]
Jennifer Kabat, “Pattern Recognition: How Ellen Lesperance transmits messages about history, feminism and labour through the art of knitting,” Frieze, August 14, 2017. “When Lesperance was young, […]
Tannaz Farsi. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 At PICA’s TBA Festival last year, Tannaz Farsi’s work […]
Jillian Steinhauer, “What to See in New York Art Galleries This Week,” New York Times, September 20, 2018 (Exhibition: Lily of the Art Light, Derek […]
Elizabeth Malaska. 2016 Individual Artist Fellow, Oregon Arts Commission. Photo: Greg Wahl-Stephens Originally published January, 2016 One can’t study Elizabeth Malaska’s painting without finding […]