Kristan Kennedy: A Corporeal Presence
by Meagan Atiyeh Originally published March 2020 Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive […]
by Meagan Atiyeh Originally published March 2020 Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive […]
by Richard Speer Originally published Feb, 2019 To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent […]
by Briana Miller Originally published February, 2019 In 1975, the non-profit Friends of Timberline launched a project to recreate and restore the textiles of Timberline […]
By Karl Davis Originally published January, 2019 Nestled in the foothills of the Blue Mountains in northeast Oregon, Crow’s Shadow Institute of the Arts has […]
A Social Good by Sue Taylor Originally published April, 2017 The five writers commissioned for the Oregon Visual Arts Ecology Project in 2017 had a […]
Sue Taylor, “Elizabeth Malaska,” Art in America, April, 2018. (Exhibition Russo Lee Gallery, Portland, Oregon Feb 1 – March 31, 2018) “In the six large […]
By Grace Kook-Anderson Originally published August 2017 In The Lure of the Local, Lucy Lippard defines place as “the locus of desire.”[1] That locus for […]
Abstract Art as Political Art: Lynne Woods Turner by Sarah Sentilles Originally published August 2017 Lynne Woods Turner’s abstract paintings and drawings trouble certainty. Her […]
Modou Dieng and the Worksound Moment by Mack McFarland Originally published April 2017 What makes an art scene? To start, a group of artists, like-minded […]
Thoughts on a Museum of Wonder by Linda Tesner Originally published April 2017 For the past thirty-six years, I have worked in museums and art […]