by Richard Speer Originally published Feb, 2019 To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent […]
by Briana Miller Originally published February, 2019 In 1975, the non-profit Friends of Timberline launched a project to recreate and restore the textiles of Timberline […]
By Karl Davis Originally published January, 2019 Nestled in the foothills of the Blue Mountains in northeast Oregon, Crow’s Shadow Institute of the Arts has […]
By Sam Hopple Originally published May 2018 In Waiting Room, Heather Watkins presents a series of thirty-two, hand-stitched embroideries that line the walls of PDX […]
A Social Good by Sue Taylor Originally published April, 2017 The five writers commissioned for the Oregon Visual Arts Ecology Project in 2017 had a […]
Sue Taylor, “Elizabeth Malaska,” Art in America, April, 2018. (Exhibition Russo Lee Gallery, Portland, Oregon Feb 1 – March 31, 2018) “In the six large […]
Stephanie Snyder, “Critics Picks: Elizabeth Malaska,” Artforum, March 2018 (Exhibition Russo Lee Gallery, Portland, Oregon Feb 1 – March 31, 2018) Elizabeth Malaska’s recent paintings […]
Amy Taubin, “Daughter Dearest: Amy Taubin Talks with Todd Haynes,” Artforum, March, 2011. Todd Haynes specializes in two kinds of movies: analytic music biopics (Superstar: […]
Amy Sherlock, “Alice Channer, Jessica Jackson Hutchins & Linder,” Frieze, June-August, 2013. “There is pathos here, but also humour and warmth, a kind of lived-in […]
Steve Kado, “Picks: Aaron Flint Jamison,” Artforum, September, 2013. “These constant reversals—from the dense physicality of rare hardwood to invisible, eye-safe lasers, from the intangible […]
Alex Kitnick, “Aaron Flint Jamison,” Artforum, October, 2015. (Exhibition: Miguel Abreu, New York, NY) “…this is an art that really doesn’t need you. And yet […]
By Grace Kook-Anderson Originally published August 2017 In The Lure of the Local, Lucy Lippard defines place as “the locus of desire.” That locus for […]
“Busy Bodies: MK Guth’s ‘This Fable Is Intended for You: A Work Energy Principle: Final’ at Elizabeth Leach Gallery” by Patrick Collier Originally published by […]
Anna B. Crocker and the First Decade of the School of the Portland Art Association by Prudence Roberts Originally published April 2017 Some years […]
Three Used Books by Jon Raymond Originally published April 2018 One of the best garage-sale scores I ever had came in Brooklyn sometime in 2003. […]
by John Motley Originally written April 2017 In a promotional poster for Bay Area–based Club Paint’s second exhibition at Rocksbox Contemporary Fine Art in October […]
Portland Wild Life: The Work of Ryan Pierce by Melanie Flood Originally published April 2017 The ecology of the place we live in helps define […]
Abstract Art as Political Art: Lynne Woods Turner by Sarah Sentilles Originally published August 2017 Lynne Woods Turner’s abstract paintings and drawings trouble certainty. Her […]
