by Jeanine Jablonski When I first came across images of Natalie Ball’s work, I was floored. Who was this amazing indigenous artist living in Oregon, […]
by Richard Speer To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent of visual artists is […]
by bart fitzgerald I. Santal 33. Boonk. A libation awaits—whether prepared, or freshly colliding due to the presence of its necessary ingredients—Hennessy and sticky-sweet pineapple […]
by Jovencio De La Paz Between Tank Creek and the hills of Clatskanie, Oregon, just south of the Columbia River, a Zen Buddhist Monastery nestles […]
by Abigail Susik I One of the reasons for abstract art’s ascendancy over the last century is surely its simultaneous accommodation of the ego’s conflicting […]
by Bean Gilsdorf Perlitz’s grounding in sculpture underscores the spirit of these practices, explicating the real and symbolic power of objects and their potential to […]
by Paul Maziar Originally published March 2020 Author’s Note: I’ve been enchanted by Cynthia Lahti’s work since the moment I first saw it—thanks to my […]
by Patrick Collier Originally published May 2019 To the casual viewer, abstract painting may seem to lack coherence. Familiar epithets abound, usually because there is […]
by Paul Maziar Originally published July 2019 Precipitous calcite Mined from the hills of Nephi By harried and obsessive men Who probably tote guns Who […]
by Josephine Zarkovich Originally published May 2019 Recently I have begun to document all the steps I take to perform each task in my very […]
by Meagan Atiyeh Kristan Kennedy’s color-field paintings are worked and washed in a repetitive process. A small number of marks, additive or reductive in ink, […]
by Carlin Brown Originally published March, 2019 The entrance to the lumber room’s lower level glows a flush pink. The unexpected color dissipates in the […]
by Richard Speer Originally published Feb, 2019 To post or not to post? In light of the “delete-Facebook” and anti-social-media movements, an increasingly vocal contingent […]
by Briana Miller Originally published February, 2019 In 1975, the non-profit Friends of Timberline launched a project to recreate and restore the textiles of Timberline […]
By Karl Davis Originally published January, 2019 Nestled in the foothills of the Blue Mountains in northeast Oregon, Crow’s Shadow Institute of the Arts has […]
By Sam Hopple Originally published May 2018 In Waiting Room, Heather Watkins presents a series of thirty-two, hand-stitched embroideries that line the walls of PDX […]
By Grace Kook-Anderson Originally published August 2017 In The Lure of the Local, Lucy Lippard defines place as “the locus of desire.” That locus for […]
Anna B. Crocker and the First Decade of the School of the Portland Art Association by Prudence Roberts Originally published April 2017 Some years […]
